指挥家：谭利华

　　CCTV.com消息：谭利华是中国北京交响乐团音乐总监、首席指挥和北京音乐家协会主席。谭利华自幼学习音乐， 1977年考入上海音乐学院指挥系，师从著名指挥家黄晓同教授，毕业后，跟随著名指挥大师李德伦继续学习指挥技艺并担任其助理。1982－1991年，他曾任教于天津音乐学院，1991－1995年任中国中央交响乐团主要指挥。

　　作为中国乐坛最活跃的指挥家之一，谭利华曾指挥中央乐团、北京交响乐团等乐团在全国许多重要城市演出了近千场音乐会。许多中国作曲家的新作品是由他指挥首演的，他还指挥了德沃夏克第七交响曲、雷斯庇基《罗马的松树》交响诗、普罗科菲耶夫第五交响曲等外国重要作品在北京的首演。此外，他还致力于交响乐的普及，他每年都要率乐团去大、中学校为学生演出通俗易懂的交响乐和管弦乐名曲，并定期举办学生免费音乐会，此外，谭利华还指挥了许多国家重要的大型演出活动，录制了40余张唱片和数百部影视音乐作品。

　　1992年谭利华成功地指挥了中央交响乐团在香港文化中心音乐厅演出的音乐会，受到广泛关注。1993年，他应邀赴美国指挥法都威交响乐团和纽约青年交响乐团，演出获得巨大成功。CBS广播公司向全美播放了音乐会演出的实况录像。被誉为“来自中国北京尊贵的指挥大师”，并称“谭的指挥具有高超的技巧和感人的艺术魅力”。1994年9月谭利华应邀赴韩国指挥汉城交响团，评论认为他是“充满激情，富有魅力，深受听众喜爱的优秀指挥家”。1997乐年7月，他出色地指挥了在纽约林肯中心埃弗里菲舍尔音乐厅举行的有各国驻联合国使团官员出席的庆祝香港回归祖国的交响音乐会，在美国主流社会引起强烈反响，为祖国赢得了荣誉。1998年1月，谭利华应邀赴澳大利亚，指挥澳大利亚国家青年交响乐团（AYO）在悉尼市政大厅演出了澳大利亚国庆和AYO成立50周年的音乐会。之后，他率AYO在北京、上海、天津、广州等八个城市巡回演出。1998年12月31日，谭利华在人民大会堂指挥俄罗斯国家交响乐团和北京交响乐团联合演出了1999年北京新年音乐会。1999年10月，谭利华又指挥俄罗斯国家交响乐团在莫斯科柴科夫斯基音乐厅的演出，并获得巨大成功。在2000-2001年音乐季，谭利华担任了俄罗斯国家交响乐团的常任指挥。从2000年起，他还应邀指挥了澳大利亚国家广播乐团、俄罗斯新西伯利亚爱乐乐团、德国特利尔交响乐团、德国国际爱乐乐团、巴拿马国家交响乐团和以色列交响乐团等国外交响乐团。

　　2001年11月中旬至12月初，谭利华率领北京交响乐团在欧洲巡演获得巨大成功，引起轰动，《奥格斯堡日报》报道说：“谭利华用他的准确手势，让人听到每一个细节的内涵。”《玻布林根邮报》指出：“人们在肖斯塔科维奇的第五交响曲中，看到了指挥家谭利华流畅而又准确的动作，优雅细腻、强劲有力，恰如其分地表达了作品。”作为中国出色的优秀指挥家，谭利华引起国内外音乐界的广泛关注。

　　Tan Lihua

　　Tan Lihua, the music director and principal conductor of Beijing Symphony Orchestra, chairman of Beijing Musicians Association, was born in Jiangsu Province, China. He started to learn music from a very early age and began to conduct when he was only sixteen. In 1997 he entered Shanghai Conservatory of Music to further his education on conducting under the guidance of the famous conductor Huang Xiaotong. After he graduated from university with outstanding records, he held the post of the assistant of Li Delun (the famous Chinese maestro) and continued his study on conducting with Li. From 1982 to 1991, he taught at Tianjin Conservatory of Music. Then he became one of main conductors of China Central Philharmonic Orchestra from 1991 to 1995.

　　As one of the most active and influential conductors of Chinese music circle, Tan has conducted most of the main orchestra in China (such as Central Philharmonic Orchestra, Beijing Symphony Orchestra etc.) and has presented over 1,000 performances across China. He had been honored “the conductor who has performed the most at Beijing Concert Hall” from 1994 to 1996. He first introduced many new works of Chinese composers’ to audiences. In addition, some of other important foreign works such as Symphony No. 7 (Dorak), Symphony Poet “pini di roma” (Respighi), and Symphony No. 5 (Prokofiev) were also first presented at Beijing by him. In order to popularize the symphony, every year he performs some simple and easy symphonies and orchestral music for students in many universities and high schools regularly. Moreover, he has conducted many important national performances. Now he has made more than forty recordings and hundreds of movie and TV music works.

　　In 1992, his successful conducting of the Central Philharmonic Orchestra at Hong Kong Cultural Center Concert Hall drew the attention from people all over the world. In 1993, he was invited to the United States to conduct Federal Way Philharmonic Orchestra and New York youth Symphony Orchestra and achieved unforeseen success. CBS life broadcast the concert in USA. There he was praised as “Mandarin maestro from Beijing, China” and “ He conducts with high skills and influential artistic charm”. In September 1994, he was invited to conduct Seoul Symphony Orchestra in the Republic of Korea, where he was commended as “ an excellent conductor full of enthusiasm, charms and deeply loved by the audiences”. The same year in November, he led Central Symphony Orchestra to visit Hong Kong and Taiwan once more and received wide praise. In October 1996, it was his first time to lead Beijing Symphony Orchestra to visit the Republic of Korea, and the trip won a stir and a greet success. In July 1997, his excellent conduct at Avery Fisher Hall, Lincoln Center, New York, for celebrating Hong Kong’s returning back to the mainland received high approval from officials of the UN and the main stream of the US society. It also won honor for our motherland. In January of 1998, he was invited to Australia to conduct Australian Youth Orchestra and presented performances for the Celebration of Australia’s National Day and AYO’s fiftieth anniversary at Town Hall. He toured with AYO to perform in eight cities in China. In October 1998, he conducted Tasmanian Symphony Orchestra on Beijing Music Festival. The same year on December 31, he conducted the joint performance of Russian State Academic Symphony Orchestra and Beijing Symphony Orchestra on the New Year’s Concert in the Great Hall of the People. In October 4, 1999, again, he conducted Russian State Academic Symphony Orchestra at Tchaikovsky Concert Hall in Moscow. Owing to his excellent interpretation of music, he has been invited as the Guest Conductor of Russian State Academic Symphony Orchestra from 2000 to 2001. In the year of 2000, he conducted Australian National Broadcasting Symphony Orchestra, Russian Novosibirsk Philharmonic Symphony Orchestra, Trier Opera House, Germany International Philharmonic Symphony Orchestra, Panama State Symphony Orchestra and Israel Symphony Orchestra.

　　From the mid-November to the beginning of December 2001, he led Beijing Symphony Orchestra had a Europe tour, which aroused a stir on the continent. Karlsruhe reported Tan’s conducting as: “With his precise gesture, Tan made every body acknowledge the connotation of every detail.” Boblingen Daily pointed out: “Tan used his ease and grace, exquisite and powerful gesture fully expanded his interpretations of Schostakovic’s Symphony No. 5.”

　　As one of the most outstanding Chinese conductors, he is arousing extensive interest from China and abroad as well.

责编：雍莉